Miriam AlbanoMezzo-Soprano

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Highlights

  • Rossini: Il Barbiere di Siviglia (Rosina) – Bordeaux Opera
  • Rossini: La Cenerentola (Angelina) – Deutsche Oper am Rhein
  • Mozart: Le Nozze di Figaro (Cherubino) – Vienna, Rome, Florence, Bordeaux, Düsseldorf
  • Mozart: La Clemenza di Tito (Annio) – Vienna State Opera
  • Mozart: Così fan tutte (Despina) – Bordeaux Opera
  • Mozart: Don Giovanni (Zerlina) – Deutsche Oper am Rhein
  • Purcell: The Fairy-Queen (Puck) – Salzburg Festival
  • Berlioz: Les Nuits d’été – Radiokulturhaus Vienna
  • Gounod: Roméo et Juliette (Stéphano) – Deutsche Oper am Rhein
  • Lully: Armide (Sidonie) – Innsbruck Festival
  • Winner at the 2015 Neue Stimmen Competition
  • Mozart Prize & European Opera Award at the 2016 Francisco Viñas Competition

Biography

Born in Venice, Italian Mezzo-Soprano Miriam Albano studied singing with Stella Silva at her home town Conservatory, and violin for 8 years. She then moved to Vienna to study at the University of Music and Performing Arts with her voice coach Claudia Visca. She finished a master’s degree in “Lied und Oratorium” cum laude with KS Robert Holl, Stephan Matthias Lademann, Charles Spencer and took part in masterclasses with KS Brigitte Fassbaender, Helmut Deutsch, Malcom Martineau, Anne Sophie von Otter and Ann Murray.

Member of the Young Singers’ Programme in 2016 at the Salzburg Festival, Miriam appeared in The Fairy-Queen as Puck (main role).

She is a prize winner of the following International Singing Competitions: Neue Stimmen 2015, Francisco Viñas 2016, Ferruccio Tagliavini 2014, Pietro Antonio Cesti for Baroque Opera (Innsbruck) 2014, Ada Sari (Poland) 2015. She is finalist for the BBC Cardiff Singer of the World 2017.

Miriam Albano had been a member of the Vienna State Opera Ensemble where she made her debuts as Cherubino in Le Nozze di Figaro and as Annio in La Clemenza di Tito. Following her debut at the Deutsche Oper am Rhein with the role of Angelina in La Cenerentola, she is a member of its Ensemble since the 2019/2020 season.

In the 2018/2019 season, she was Cherubino at the Teatro del Maggio Musicale Fiorentino and Teatro dell’Opera di Roma in a new production conducted by Stefano Montanari and staged by Graham Vick, and appeared as Rosina in Il Barbiere di Siviglia with Marc Minkowski and Laurent Pelly at the Opéra National de Bordeaux. Again under Marc Minkowski leading Les Musiciens du Louvre, Miriam sang Mozart’s Missa in C and Handel’s Ode for St. Cecilia’s Day in Santander.

Other notable highlights include Amore in Orfeo ed Euridice at the Teatro Malibran in Venice, Cherubino in Le Nozze di Figaro at the Schönbrunn Schlosstheater in Vienna and her debut as Sidonie in Lully’s Armide at the Innsbruck Festival of Early Music.

Miriam has appeared in performances with Diego Fasolis in Vivaldi’s Gloria in Lugano and with Leopold Hager in Berlioz’ Nuits d’été at the Radiokulturhaus in Vienna.

She has given solo recitals, of which she is particularly fond, at the Doge’s Palace in Venice and Beethoven Center in Vienna. Miriam Albano performed a Lieder recital at the invitation of KS Brigitte Fassbaender in 2016 at the Eppaner Liedsommer and a Schubert Songs programme alongside KS Robert Holl at the International Lied Festival Zeist in the Netherlands.

Recent and future engagements include Despina (Così fan tutte) and Cherubino (Le Nozze di Figaro) under Marc Minkowski at the Bordeaux Opera. For the Deutsche Oper am Rhein, Miriam reprises the role of Angelina (La Cenerentola) and Cherubino and makes her debut as Zerlina (Don Giovanni) and Stéphano (Roméo et Juliette).

Miriam speaks fluent German.

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