Valentino BuzzaTenor

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Highlights

  • Mozart: Il Sogno di Scipione (title role) – Teatro La Fenice
  • Donizetti: L’Elisir d’amore (Nemorino) – Florence Opera
  • Vivaldi: Ottone in villa (Decio), Farnace (Pompeo) – Teatro La Fenice
  • Mozart: Così fan tutte (Ferrando) – Palau de les Arts Valencia
  • Purcell: Dido and Aeneas (title role) – Florence Opera
  • Puccini: Turandot (Pang) – Palau de les Arts Valencia
  • Cilea: Adriana Lecouvreur (L’Abate di Chazeuil) – Teatro Petruzzelli Bari
  • Handel: Israel in Egypt – Palau de les Arts Valencia
  • Rossini: Elisabetta regina d’Inghilterra (Guglielmo) – Pesaro Rossini Opera Festival
  • Vivaldi: L’Incoronazione di Dario (title role) – Palau de les Arts Valencia
  • Vivaldi: Catone in Utica (title role) – Opera Barga Festival

Formidabile, infine, è l'interprete che tiene la parte del titolo: Valentino Buzza vanta difatti timbro brunito, dizione scolpita, accento eroico, agilità granite e volume autorevole, caratteristiche che tutte insieme restituiscono il vero tenore da opera seria settecentesca alla maniera di Borosini, Fabri o Pinacci. (apemusicale.it)

Biography

Valentino Buzza was born in Catania, where he graduated from the Vincenzo Bellini Conservatory in 2008. Over subsequent years, he participated in masterclass courses run by Leone Magiera, Edda Moser and Renato Bruson, among others.

He won several international singing competitions including the “Luciano Pavarotti Prize” for the Marcello Giordani Foundation (2016) and the First Prize at the “Tito Schipa” Opera Competition (2012).

Valentino participated in various opera productions at the Centre Perfeccionament Plácido Domingo in Valencia (Palau de les Arts’ Opera Studio), including La Bohème (Rodolfo) under the direction of Riccardo Chailly, Così fan tutte (Ferrando) conducted by Marco Guidarini, La Traviata (Giuseppe) and Turandot (Pang) both conducted by Zubin Mehta, Simon Boccanegra (Capitano dei balestrieri) alongside Plácido Domingo under the direction of Evelino Pidò.

He embodied the title roles in the following masterpieces of the operatic repertoire: Mozart’s Sogno di Scipione under the baton of Maestro Sardelli at Theatre Malibran and Bastien et Bastienne in a Davide Livermore production in Genoa, Purcell’s Dido and Aeneas under Stefano Montanari at the Florence Opera, Vivaldi’s Incoronazione di Dario led by Federico Maria Sardelli for the Valencia Palau de les Arts Reina Sofia and Catone in Utica of that same composer for the Festival Opera Barga.

In addition, Valentino appeared as Edmondo in Puccini’s Manon Lescaut at São Paulo Theatro Municipal and as Pang in Turandot at the Torre del Lago Puccini Festival. He was Aristeo in D. Scarlatti’s Narciso at the Innsbruck Festival, Nemorino in Donizetti’s Elisir d’amore at Florence Opera and L’Abate di Chazeuil in Francesco Cilea’s Adriana Lecouvreur for the Bari Teatro Petruzzelli.
With the complicity of Diego Faoslis, he performed Vivaldi’s operas Ottone in villa (Decio) and Farnace (Pompeo) for La Fenice.

With the conduction of Fabio Biondi, he sang Handel’s oratorio Israel in Egypt in Valencia and was the tenor soloist in Mozart’s Coronation Mass under the guidance of Zubin Mehta in Florence.

Valentino recorded Puccini’s Turandot (cond. Zubin Mehta) and Manon Lescaut (cond. Plácido Domingo) for Decca, and Verdi’s Macbeth (cond. Fabio Biondi) for Glossa.

Recent and future engagements include Rossini’s Elisabetta regina d’Inghilterra (Guglielmo) in a Evelino Pidò/Davide Livermore production for the Rossini Opera Festival in Pesaro, Monteverdi’s Orfeo with Fabio Biondi in Berlin, Hamburg, Barcelona, Madrid, Vienna, and Massenet’s Werther (Schmidth) at Teatro Petruzzelli in Bari.

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