Christian SennBaritone

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Highlights

  • Donizetti: Don Pasquale (Malatesta) – La Scala, Paris Opera
  • Rossini: Il Barbiere di Siviglia (Figaro) – Berlin, Milan, Venice, Turin, Florence, Tel Aviv, Palermo
  • Rossini: L’Occasione fa il ladro (Don Parmenione) · Vivaldi: Orlando furioso (Astolfo) – Théâtre des Champs-Elysées
  • Handel: Tamerlano (Leone) · Giulio Cesare (Achilla) – La Scala
  • Mozart: Don Giovanni (title role) – Florence, Santiago de Chile
  • Donizetti: Lucia di Lammermoor (Enrico) – Bergamo Donizetti Festival, Florence Opera
  • Rossini: La Cenerentola (Dandini) – Israeli Opera Tel Aviv, Florence Opera, Grange Festival
  • Mozart: Die Zauberflöte (Papageno) – Turin, Florence, Verona, Montpellier
  • Mozart: Le Nozze di Figaro (Conte Almaviva) – Milan, Bergamo, Potsdam
  • Beethoven: 9th Symphony – Vienna Konzerthaus, Teatro Filarmonico Verona
  • Bach: St Matthew Passion (Bass Solo, Jesus) – Theater Basel
  • Vivaldi: Olimpiade (Clistene, Alcandro) – Théâtre des Champs-Elysées, Innsbruck Festival
  • Handel: Aci, Galatea e Polifemo (Polifemo) · Porpora: Polifemo (title role) – Theater an der Wien

His controlled and rich baritone enacts this wonderful cantata’s opening ‘scena’ with intensity [...]. Senn’s unwavering line and summoning of atmosphere in each seam of ‘Schlummert ein’ is truly memorable. (gramophone.co.uk)

Biography

Born in Chile, Christian Senn has been living in Italy since his youth. After taking a Master’s degree in Biology, he was admitted to the Academy for young singers at the Teatro alla Scala studying with Leyla Gencer, Luigi Alva and Vincenzo Manno.

Christian is one of the most sought-after baritones for Bel Canto repertoire in Italy and abroad, performing numerous opera roles by Rossini, such as the title role in Il Barbiere di Siviglia at the Deutsche Oper Berlin, La Scala, La Fenice, Teatro Massimo di Palermo; Dandini (La Cenerentola) at the Israeli Opera Tel Aviv, Florence Opera, Teatro Petruzzelli Bari and Grange Festival; Taddeo (L’Italiana in Algeri) at the Teatro Regio Torino, Versailles Royal Opera and Paris Théâtre des Champs-Elysées; Filiberto (Il Signor Bruschino), Germano (La Scala di seta) and Don Parmenione (L’Occasione fa il ladro) for the Théâtre des Champs-Elysées.

In the Donizetti repertoire he has been heard as Enrico (Lucia di Lammermoor) in Florence, Bergamo, Bari and Santiago de Chile; Belcore (L’Elisir d’amore) in Bologna; Biscroma Strappaviscere (Viva la Mamma) and Malatesta (Don Pasquale) both at La Scala. Christian debuted at the Opéra National de Paris with the role of Malatesta in a production conducted by Michele Mariotti and staged by Damiano Michieletto.

Mozart singer of the first order, Christian sang the title role in Don Giovanni in Florence and Santiago de Chile, and Leporello in Catania. He appeared as Count Almaviva (Le Nozze di Figaro) in Milan, Naples and Potsdam; Papageno (Die Zauberflöte) in Montpellier, Turin, Verona and Florence; Guglielmo (Così fan tutte) in Milan, Verona, Bergamo, Santiago de Chile and Alfonso in the same opera at the Grange Festival.

Among his Vivaldi roles are Astolfo (Orlando furioso) and Alcandro (L’Olimpiade) under Jean-Christophe Spinosi at the Théâtre des Champs-Elysées, Clistene (L’Olimpiade) under Alessandro De Marchi for the Innsbruck Festival and the title role in Bajazet in Japan with Europa Galante led by Fabio Biondi.

Encounters with Handel embrace Pallante (Agrippina) under René Jacobs at the Berlin Staatsoper and the title role in Porpora’s Polifemo at Theater an der Wien. At La Scala he took the stage as Leone (Tamerlano) alongside Placido Domingo and as Achilla (Giulio Cesare) in a Giovanni Antonini/Robert Carsen production.

He further appeared in concert for Bach’s St Matthew Passion with Alessandro De Marchi at Theater Basel and for Handel’s Aci, Galatea e Polifemo with René Jacobs and the Kammerorchester Basel at Theater an der Wien. Under the lead of Sakari Oramo, he sang Beethoven’s 9th Symphony with the Wiener Symphoniker at the Vienna Konzerthaus and Brahms’ Requiem with the BBC Symphony Orchestra at Barbican Centre.

For Naïve, Christian Senn has recorded a DVD with Rossini’s Pietra del paragone filmed at the Paris Théâtre du Châtelet, as well as two Vivaldi CDs, Tito Manlio and Dorilla in Tempe. His solo album “Bach – The Solo Cantatas for Bass” he recorded with La Barocca and Ruben Jais for the Glossa label, achieved great critical acclaim.

In the 2025/2026 season, Christian will appear as Mengotto in Niccolò Piccinni’s La Cecchina under Stefano Montanari at the Teatro Petruzzelli di Bari and as Count Capulet in Gounod’s Roméo et Juliette at the Rome Opera. He will reunite with René Jacobs for Haydn’s late Masses and for Bach’s St Matthew Passion across Europe. Under the baton of Ottavio Dantone, he will perform Handel’s Orlando (Zoroastro) in a new Pier Luigi Pizzi staging as well as Handel’s Messiah, both for the Ravenna Festival.

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