Giulio PelligraTenor

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Highlights

  • Donizetti: L’Elisir d’amore (Nemorino) – Florence Opera, St. Gallen Theatre
  • Donizetti: Don Pasquale (Ernesto) – Theater Basel
  • Donizetti: Anna Bolena (Percy) – Teatro Regio Parma, Rome Opera, Teatro Massimo Bellini
  • Donizetti: Maria Stuarda (Roberto Leicester) – Deutsche Oper am Rhein, Teatro Carlo Felice Genoa, Prinzregententheater Munich
  • Puccini: La Bohème (Rodolfo) – Florence Opera, Grand Théâtre de Genève
  • Verdi: Les Vêpres siciliennes (Henri) – Rome Opera
  • Verdi: La Traviata (Alfredo) – Teatro Regio Turin, Rome Opera, Japan Tour
  • Verdi: Rigoletto (Il Duca di Mantova) – Teatro San Carlo Naples, Teatro Comunale Sassari
  • Mozart: Idomeneo (title role) – Teatro Massimo Palermo, Mozartfest Würzburg
  • Mozart: Don Giovanni (Don Ottavio) – Teatro Massimo Palermo, Teatro Alighieri Ravenna
  • Rossini: Guillaume Tell (Arnold) – Opera Lombardia, Teatro Verdi Pisa

The best singer was definitely Giulio Pelligra who displayed a secure singing line with a clear tenor timbre. His high notes of the most demanding cabaletta were emitted with confidence and the true brilliance of “squillo” tones. (L’Opera)

Biography

Born in Catania, Italian lyric tenor Giulio Pelligra is one of the most exciting and promising voices of his generation and appears regularly in the most prestigious opera houses in Italy and abroad.

At the age of 20, he made his operatic stage debut at the Manoel Theatre in Malta, singing Almaviva in Il Barbiere di Siviglia.

Giulio has been guided by such venerated conductors as Roberto Abbado, Yves Abel, Asher Fisch, Daniel Oren, Renato Palumbo, Stefano Ranzani, Donato Renzetti, Riccardo Frizza, Daniele Gatti, Antonino Fogliani, Francesco Ivan Ciampa, Corrado Rovaris, Paolo Arrivabeni, Henrik Nánási, Andriy Yurkevych… and has worked with stage directors including Graham Vick, Pier Luigi Pizzi, Damiano Michieletto, Leo Muscato, Henning Brockhaus, Valentina Carrasco.

He has established himself as one of the leading singers in the field of Bel Canto. An adept singer of Donizetti, he has had much success as Percy (Anna Bolena) he has performed at Teatro dell’Opera di Roma, Teatro Regio di Parma, Teatro Massimo Bellini di Catania and in Karlsruhe, and was seen on stage as Roberto Leicester (Maria Stuarda) at the Deutsche Oper am Rhein, Teatro Carlo Felice in Genoa and Munich Prinzregententheater. Other roles include Carlo (Linda di Chamounix) in Rome, Ernesto (Don Pasquale) at Theater Basel, Nemorino (L’elisir d’amore) at the Maggio Musicale Fiorentino and Theater St. Gallen.

Renowned for his Bellini, Giulio Pelligra appeared as Tebaldo (I Capuleti e i Montecchi) under Daniele Gatti for the Rome Opera, as Arturo Talbot (I Puritani) at the Teatro Massimo Bellini, as Elvino (La Sonnambula) at the Teatro Filarmonico di Verona and as Pollione (Norma) at the Luglio Musicale Trapanese.

Among his Rossini are Paolo Erisso (Maometto II) for the Teatro dell’Opera di Roma and Arnold (Guillaume Tell) for Opera Lombardia and Teatro Verdi di Pisa.

He has an established reputation in the Verdi repertoire, singing at the highest level in such roles as Alfredo (La Traviata) at the Rome Opera, Teatro Regio Torino, Teatro Carlo Felice in Genoa, Teatro Verdi di Trieste and in Japan; Ismaele (Nabucco) at the Teatro Massimo di Palermo, Theater St. Gallen, Opéra Royal de Wallonie-Liège; Gaston (Jérusalem) at the Theater Freiburg. He sang Henri in Les Vêpres siciliennes conducted by Daniele Gatti at the Rome Opera and was the Duke of Mantua in Rigoletto in Sassari.

Other career highlights are the title role in Auber’s Fra Diavolo for the Palermo Teatro Massimo, the title role in Gounod’s Roméo et Juliette for the Teatro Verdi di Pisa and Teatro Alighieri di Ravenna; Rodolfo in Puccini’s Bohème for the Grand Théâtre de Genève and Maggio Musicale Fiorentino.

In the Mozart repertoire, Giulio has been heard as Tamino (Die Zauberflöte) in Rome, Don Ottavio (Don Giovanni) in Palermo, Ravenna and Salerno. He performed the title role in Idomeneo in Palermo and for the Mozartfest Würzburg under Christophe Rousset/Les Talens Lyriques.

He has appeared as the tenor soloist in Puccini’s Messa di Gloria at the Donizetti Opera Festival in Bergamo and in Rossini’s Stabat Mater at the Al Bustan Festival in Lebanon. In the field of sacred music, he also sang Mozart’s and Verdi’s Requiem, Boccherini’s Stabat Mater, Donizetti’s Credo and Rossini’s Petite Messe solennelle.

Giulio’s discography includes Don Carlos (Unitel Classica) and Rigoletto (Premiere Opera, DVD) by Verdi, as well as Guillaume Tell (Naxos) and Soirées musicales (Urania Records) by Rossini. For Rubicon Classics, he has recorded Liszt’s Don Sanche and Wolf-Ferrari’s Quatro rusteghi.

His recent and future engagements include Donizetti’s Linda di Chamounix (Carlo) under Michele Gamba at Maggio Musicale Fiorentino, Rossini’s Otello (Iago) in a new Maurizio Benini/Emilio Sagi production at Opéra Royal de Wallonie-Liège and Puccini’s Bohème (Rodolfo) during a Japan tour. For the Teatro di San Carlo di Napoli and under the baton of Riccardo Frizza, he gives a series of recitals dedicated to Donizetti’s Tudor Trilogy alongside Sondra Radvanovsky.

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Giulio Pelligra